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—ŹˆćŽĐ‰ď‚Ö‚ĚŽ‹Ŕ
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Žs’Ź‘ş‡•š‚ĚƒCƒxƒ“ƒgEƒqƒXƒgƒŠ[•ŞÍ ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ …Š_Œš‘ž˜Y   43

’ˇ]—Źˆć‚Ě”_kW—Ž‚ɂ‚˘‚Ä ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ™@Œő‹P   57
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’†‘]“ě’n•ű‚Ěˆîě ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ {“Ą@Œě   71

ˆŸBˆîě‹NŒšŒ¤‹†“I‰ńŒÚ ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ›š@Đ’ŕ   86

“ě•űŒF“í‚́wƒlƒCƒ`ƒƒ[xŒfÚ˜_•ś‚ɂ‚˘‚Ä ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ź‹—łŒÜ   93
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@ Źň”Žˆę

“ě•űŒF“평Šú‰p•ś˜_•ś‚ĚŽü•Ó
@|ŠÖ˜AŽ‘—ż‰đŕ| ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ź‹—łŒÜ   98

’n•ű•ŞŒ Žž‘ă‚É‚¨‚Ż‚éŽs–ŻŠˆ“Ž‚Ć‘ĺŠw‚Ě˜AŒg ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ŒĂěG•v  117
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @ ‘ĺ‘Švś
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@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@ ‘ĺŽRŽĄ•F
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@@ “c’†@Ž 
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@   •Ÿ“c@‹e

ƒ{ƒ‰ƒ“ƒeƒBƒAŠˆ“Ž‚Ě“Ž‹@‚É‚¨‚Ż‚鎊”­Ť‚ĆŠO”­Ť ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ŽÄ“c˜aŽq  119
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@ ‘ĺ‘Švś
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@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@ ŒĂěG•v@

ƒ{ƒ‰ƒ“ƒeƒBƒA’c‘Ě‚Ěƒj[ƒY‚Ć‘ĺŠwś‚ĚˆÓŽŻ‚Ć‚ĚŠÔ‚Ě˜¨—Ł ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ŒĂěG•v  132
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @ ‘ĺ‘Švś
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@ “c’†@Ž 
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @   •Ÿ“c@‹e

ƒ{ƒ‰ƒ“ƒeƒBƒAEƒCƒ[ƒW‚ĆŠˆ“ŽŒoŒą‚Ě˜AŠÖŤ ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ‘ĺ‘Švś  146
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@ ŽÄ“c˜aŽq
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@ “’ě@‹I

ON THE FORMS OF CULTURAL TRANSMISSION
AND TRANSFORMATION ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ Tetsunori Koizumi  157

“ěƒCƒ“ƒhEƒXƒŠƒ‰ƒ“ƒJ‚ĚƒCƒXƒ‰[ƒ€‰“`“`ŕ‚ɂ‚˘‚Ä ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ˆî—t@ő  165

uƒXƒŠƒ‰ƒ“ƒJ‚É‚¨‚Ż‚é@‹ł‚ĚŽó—e‚Ć•Ď—ev‚ÉŠÖ‚ˇ‚é
Œ¤‹†ƒm[ƒg
@|ƒVƒ“ƒnƒ‰•§‹ł‚Ɛ_—ěM‹Â‚Ć‚ĚŠÖŒW‚𒆐S‚É‚ľ‚ā| ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ “@–ž–ç  173

ADOPTION AND ADAPTATION
OF AN IMPORTED CULTURE:
BUDDHISM IN THAILAND AND KOREA ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ Tetsunori Koizumi  179

‹łˆç•ś‰ť‚ĚˆÚ“]‚Ć•Ď—eF
ŠŘ‘‚É‚¨‚Ż‚éV‚ľ‚˘Žö‹Ćƒ‚ƒfƒ‹‚Ě“ą“ü‚ĆŽŔ‘H ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ Œ @ŒÜ’č  195

ƒ\[ƒVƒƒƒ‹ƒ[ƒJ[‚Ö‚ĚŽx‰‡ƒXƒLƒ‹ŒP—ű‚ĚŒ¤‹†
@|ƒRƒ“ƒsƒ…[ƒ^EƒVƒ~ƒ…ƒŒ[ƒVƒ‡ƒ“‚đ—p‚˘‚˝
@@ŽŔ‘H‹łˆç‚Ě“WŠJ| ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ‘ž“c‹`O  209
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@@@ –ěŕVłŽq
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@@ ’†‘ş˛D

“ú–{‚Ě’†‘č—Ě‚ĆƒWƒƒ[ƒiƒŠƒYƒ€i’†ŠÔ•ńj ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ‘ě@“쐜  225
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@   @@’@š–P
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@@@ —Ť@@—g
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@@ ’ö@™Ö—í
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@@@ —›@‘Š“N
‚ť‚Ěˆę@’†‘‚É‚¨‚Ż‚é“ú–{č—̂Ɛ˘˜_‘€ě

@‚PD“ě‹žu‘–Ż­•{é“`•”v‚̐V•ˇ˜_‚Ć‚ť‚ĚŽĄ‰ş‚̐V•ˇ ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ‘ě@“쐜  226
@
@‚QDwV–Ż•ńx‚ÉŠÖ‚ˇ‚錤‹† ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ’@š–P  243
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @ —Ť@@—g

@‚RDw‰Ř–kV•ńx‚ÉŠÖ‚ˇ‚錤‹† ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ’ö@™Ö—í  256

‚ť‚Ě“ń@“ú–{“ŽĄ‰ş“Œ–kƒAƒWƒA‚ĚƒWƒƒ[ƒiƒŠƒYƒ€
@@@@@|ƒnƒ“ƒOƒ‹V•ˇ‚𒆐S‚Ɂ| ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ —›@‘Š“N  265

Community Environmental Conservation in Uganda:
Possibilities and Limitations
of Decentralized Management ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ Fumihiko SAITO  283

ŒúśČu•ŰŒ’‰qśŠî‘b’˛¸v,u‘–ŻśŠˆŠî‘b’˛¸v‚É‚Ý‚éC
“ú–{l‚ĚŒ’NˆŰŽE‘is“Ž‚̕ωť
@|íŒă“ú–{‚́uŒ’NŽŠăŽĺ‹`v| ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ •“c_ˆę˜Y  307

ˆ¤‚Ɛe–§Ť‚̐l—ŢŠwŽŽ˜_ ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ Â–ŘŒb—Žq  325

Moulding clay,bottling bubbles:
Actor training systems compared ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ Jonah Salz  351 

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@‹ł‹ł’c‚ĆƒWƒFƒ“ƒ_[–â‘č
@|‹ł’cƒAƒ“ƒP[ƒg’˛¸Œ‹‰Ę‚Š‚ç| ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ V“cŒőŽq  375

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Žq‚Ç‚ŕ‚Ě‹łˆçE•ŸŽƒ‚É‚¨‚Ż‚éƒrƒIƒg[ƒvŽŔ‘H‚ĚˆÓ‹` ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ ‹ŕŽq—´‘ž˜Y  381
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @@ Žą@•ś•F
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@   @ŠÖě‰ë”V
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@  @   –I’JOŽq@

2003 —´’J‘ĺŠw ‘ŰŽĐ‰ď•ś‰ťŒ¤‹†ŠƒVƒ“ƒ|ƒWƒEƒ€
“ú–{‚ĚƒAƒWƒA•ń“šEƒAƒWƒA‚Ě“ú–{•ń“š ĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ389
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